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上網亂逛看到 J. M. W. Turner: 1775-1851: the World of Light and Colour，看起來物美價廉，讓人很心動。不過，雖然J. M. W. Turner: 1775-1851: the World of Light and Colour不太貴，但還是貨比三家不吃虧。先來使用findprice查查J. M. W. Turner: 1775-1851: the World of Light and Colour 在哪邊買最便宜。結果看來看去，還是購物中心賣的 J. M. W. Turner: 1775-1851: the World of Light and Colour 最划算。所以我就直接下單把#GOODS_NAME# 買回來了。和我一樣對J. M. W. Turner: 1775-1851: the World of Light and Colour有興趣的朋友，提供給你們網頁參考看看喔。
J. M. W. Turner: 1775-1851: the World of Light and Colour
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商品訊息簡述: top As a blind person might see the world if the gift of sight were suddenly returned—this is how we might describe the effect of William Turner’s paintings on the observer. John Ruskin, Turner’s uncompromising 19th-century defender, alluded to this idea when he spoke of an ”innocence of the eye”+which perceived the world’s colours and forms before it could recognize their significance. But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realist—and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic. Turner’s art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements—especially atmospheric light—Turner confronted nature at the point where nature itself is an image. This book opens up Turner’s paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself—through a world of light and colour.作者簡介 Michael Bockemuhl (b. 1943) studied art history, philosophy and ecclesiastical history in Munich and Bochum. He qualified as a professor in 1984 at the Ruhr University, and lecturered in the history of the art of late antiquity, the Middle Ages and the early modern age. In 1990 he was awarded a chair in the science of art, aesthetics and art education by Witten Herdecke University. His TASCHEN monographs include Rembrandt (1991) and William Turner (1991).
J. M. W. Turner: 1775-1851: the World of Light and Colour
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